How a troubled childhood can foster creative talent – new study

Many believe that a child’s creativity can only bloom in the warmth of a loving, nurturing and supportive household. While artistic talent can flourish in comfortable surroundings, research has shown that this is not always the case.

Paradoxical though it may seem, studies have found that many creative people had difficult childhoods. Indeed, many well-known artists owe their genius to tough childhood events, from which they escaped by creating mental worlds where they were free to develop their talents.

Famous examples include artistic geniuses like Vincent van Gogh, Franz Kafka, Edgar Allan Poe, Virginia Woolf and Sinéad O'Connor, all of whom suffered adversity in childhood and went on to develop great artistic prowess. Sadly, though perhaps not surprisingly, their talents were often tempered by neuroses and other mental health issues.

Creative people have even noted this in one another. Jean Paul Sartre’s lengthy biography of Gustave Flaubert’s childhood describes its subject as an unwanted, neglected child who was considered mentally disabled by his parents. The book’s title shows how central this was to Flaubert’s identity: L'Idiot de la famille (The Family Idiot).

Escaping childhood suffering

My recent study explores the development of human creativity, which can follow two paths: it can be an imitation of serene and pleasant parental models that inspire a child to thrive and improve, or it can be a way to manage the anxiety that stems from the absence of these models.

As Donald Winnicott explains in his seminal 1971 book “Playing and Reality”, children alleviate the anxiety of temporary separation from their parents by soothing themselves with objects (called “transitional objects”) or behaviours, which temporarily replace the absence of their parents’ affection or attention.

If the absence is prolonged and difficult, these behaviours continue and can, through repetition, develop into a creative skill. Unfortunately, along with creativity, these children sometimes develop harsh behavioural difficulties, and struggle with social relationships.

Some academics have proposed a model to explain this phenomenon. Up to a certain level of separation or neglect from parents, the capacity to develop talents grows, but beyond a certain limit this decreases and alterations in social behaviour become more acute.

Therefore, it is likely that our talents, those of which we will be proud when adults, put down their roots in the first few months of life. The rest of our lives are spent honing the creative behaviours we learned, or took refuge in, when were babies.

By closely observing young children, psychologist Mary Ainsworth found that our attachment style is already defined at the age of one. Other studies have found a similar precocious timing for other mental skills, and this is likely true for creativity as well. Early abandonment or neglect can have dire consequences, but can also be the source of creativity, as it helps children to survive.

Challenges in modern parenting

Today, affective relationships between parents and children are increasingly problematic. Cultural shifts often mean that modern parents are either scarcely or excessively focused on their babies. Working habits have also changed, meaning babies are more commonly separated from parents in the earliest stages of their development.

It is therefore unsurprising that young children today escape into a parallel word that replaces or supplements parental attention, one where they often develop considerable creative abilities and talents: computers and videogames. Screen time is, however, also linked to greater levels of stress, anxiety and isolation, especially as children grow into teenagers.

No substitute for care

Adversity does not always have negative effects, and caregivers should help children to cultivate their creative talents, but this is by no means a substitute for proper care and attention.

Studies show that a supportive attitude is important from the early years of school, but parents can often be with physically absent or mentally distant or distracted from their offspring. This can cause a raft of mental health issues, as a child’s first and most decisive cognitive maps are drawn in the earliest stages of life – late intervention is less effective.

The good news is that this research can help to identify and intervene when a child may be suffering. It also further highlights the deep, primordial psychological significance of children’s, and indeed adults’, talents and creativity.The Conversation

Carlo Valerio Bellieni, Professor of Pediatrics, Università di Siena

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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5th Edition of Nagaland Literature Festival concludes

Members of Writers Collective seen with the winners of the Short Story Writing Competition organised as part of the NLF 2025 and others on December 13. (Photo by Jabu Krocha)

‘Distinctive feature of NLF is embracing all forms of creative self-expression’

Asserting that literature is essentially a reflection of life and the most quintessential way in which human beings express their emotions, Dr Vizovono Elizabeth, General Secretary of Writers Collective Kohima remarked that the distinctive feature of Nagaland Literature Festival (NLF) is embracing all forms of creative self-expression and storytelling.

Delivering the way forward at the closing ceremony of the 5th Edition of Nagaland Literature Festival at Don Bosco Higher Secondary School Kohima on December 13, she observed that the mushrooming of literature festivals across India on big scales has become like a ‘fashion’. NLF, she added is still a very small community, and has a long way to go, but stated belief that “it is very special because it is relevant to our own context.”

She echoed the vision of the Writers’ Collective, and expressed that, “the focus is not about trying to do what other people are doing, it is not about trying to compete or be at par with others, but it is more importantly about nurturing our own talents and providing a platform especially for the young, aspiring and upcoming creative artists.”

Even while keeping it very local, she stated that they were encouraged by the support and the positive response from so many unexpected supporters drawing entries even from the international level for its short story & poetry writing competition.

Participants of the Reading Session ‘Unraveling the magic of words’ seen with Easterine Kire. (Photo by Jabu Krocha)

In this regard, she exuded hope that “the seeds that we are sowing are slowly growing and that we will continue to grow together.” She reiterated that the distinctive feature of NLF “is not just a celebration of established and now popular authors, but more importantly, it is a platform and a safe space for new and upcoming writers and creative artists.”

Not all participants are writers either, she further highlighted while revealing that, “we also have very avid readers and supporters of literature taking active part and working along with us.” Terming this as “truly wholesome”, she said that literature would be meaningless without the readers.

Looking ahead, she envisioned that they can go ahead together and continue to support, learn and grow together. Expressing that it is the dream of Writers Collective Kohima to nurture our own storytellers and provide platforms for their voices and stories to be heard, she urged the gathering to walk with them on this beautiful journey. “Let’s learn to do this by utilizing our God-given beautiful brains, not being controlled by AI, but using it only as a tool so that we do not lose our souls or our humanity”, she further articulated.

Highlights of the closing ceremony included prayer and poetry reading by Rev Azahto Kiba, Senior Pastor, New Life Church Kohima & Poet, special number by Richard Ezung and Reading of short story excerpts by Winners of NLF 2025 Short Story Writing Competition, Visemenuo Sekhose and Imnajungshi Jamir. Shyamolima Saikia was adjudged third in the competition. In the poetry writing competition, Temjenwapang Jamir won first prize while Christabel Damien and Songaror Horam won second and third prize respectively. Earlier in the day, a reading session called “Unraveling the Magic of Words” was moderated by the President of Writers Collective, Vishü Rita Krocha. The readers included K. Roselyn Miachieo, Vibeituonuo Kuotsu Solo, Imlikokla Jamir, Kelhukiesie Savino, Machipeibo Zeliang, Elongshila Jamir, Avinuo Kire, Menang Longkumer and Inaholi Asumi. 5th Edition of Nagaland Literature Festival concludes | MorungExpress | morungexpress.com
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