Mr & Miss Gorkha Nagaland crowned

The third edition of Mr & Miss Gorkha Nagaland concluded at the Town Hall here on December 14.

Dimapur, The third edition of Mr & Miss Gorkha Nagaland concluded at the Town Hall here on December 14, with Kishan Lama from Dimapur and Arati Karki from Peren District winning the titles. Organised by B Bros Entertainment with the motto “To promote, preserve the culture and uplift the talent of one’s community,” the event was graced by Kamal Jain, State Treasurer of BJP Nagaland, as the chief guest.

A total of 22 finalists from across various districts competed in the grand finale. In the male category, Som Kumal was declared the first runner-up and Rahul Bagdas the second runner-up. In the female category, Easter Sonar from Dimapur secured the first runner-up position, while Bipana Thapa from Kohima was named the second runner-up.

The event featured several sub-contest awards. Kishan Lama won Best in Talent (Male), Best Discipline (Male), and Mr Popular. Arati Karki secured Best Discipline (Female). Other winners included Rani Chetri for Best in Talent (Female), Anish BK and Priya Sonar for Mr and Miss Photogenic respectively, and Rahul Bagdas for Mr Congeniality.

The judging panel comprised notable figures from the fashion industry, including fashion designer Jwala Raj Pokharel from Nepal, actor Boss Meren, Miss Assam 2024 winner Rose Longchar, Shakshi Bishwakarma, and model Raj Rai. The event was hosted by Homnath Dhungyal from Sikkim and choreographed by international model Sanjay BK. Participants were groomed by Lovi Awomi, Femina Miss India Nagaland.Musical performances by Suraj Gautam and dance acts by the Castle Dance Academy entertained the audience. The organisers stated that the event marked a significant step in promoting cultural identity and nurturing talent within the Gorkha community of Nagaland. Mr & Miss Gorkha Nagaland crowned | MorungExpress | morungexpress.com
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November 19 is World COPD Day



World Chronic Obstructive Pulmonary Disease Day is observed on November 19.

Chronic obstructive pulmonary disease (COPD) is the third leading cause of death globally, yet the condition is relatively unknown and often underprioritized and underfunded. This is despite the fact that over 3.5 million people die from COPD each year - equivalent to the cumulative death toll from a plane crashing with 400 passengers every hour, WHO reports.

The theme for this year’s World COPD Day is “Short of breath, think COPD”, aligned with the common symptoms of cough, difficulty breathing, wheezing and tiredness which have a major impact on those who live with the condition. The day aims to raise awareness about COPD and promote early diagnosis and effective management. Earlier diagnosis and treatment results in better clinical outcomes, including improvement in symptoms, lung function, and quality of life.

Armenia recorded a COPD mortality rate of 21 per 100,000 people in 2021, with men disproportionately affected. Male mortality reached 32.6 per 100,000, the sixth-leading cause of death, while the rate for women was 14.2, ranking tenth. Overall disease prevalence stands at 6.2%.

Smoking remains the country’s dominant risk factor. A 2022 survey found that 22.2% of Armenians smoked, including nearly half of all men but just 1.7% of women. An estimated 60.9% of COPD-related deaths were attributed to smoking alone.

As in many countries, early-stage COPD in Armenia often presents with few or atypical symptoms, leading to delayed diagnosis and treatment. custom title
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Trance Effect to perform at Big Mountain Music Festival


Kohima, October 11 (MExN): Nagaland’s pop-rock sensation Trance Effect is set to represent India at the Big Mountain Music Festival (BMMF) one of Southeast Asia’s largest and most celebrated outdoor music festivals. The highly anticipated event will take place at Ocean Khao Yai in Nakhon Ratchasima, Thailand, drawing music lovers from across the region.

Renowned for its expansive setup and electrifying atmosphere, BMMF features hundreds of artists performing across 14 stages, showcasing a vibrant mix of genres including Thai pop, rock, folk, and international acts.

Trance Effect’s participation marks a proud moment for Nagaland’s thriving music scene, as the band continues to break boundaries and reach global audiences.

Trance Effect is managed by the international artistes agency Soundpuzzle, which has been instrumental in connecting the band with audiences beyond India. Their upcoming performance at BMMF marks another milestone in their journey, reflecting both the band’s artistic growth and the expanding global recognition of music from Nagaland.

 
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Bendangienla crowned Miss Mokokchung 2025


Bendangienla, a 19-year-old from Mangkolemba, was crowned Miss Mokokchung 2025 at the grand finale held at the Town Hall, Mokokchung, on July 22. A native of Khar village, Bendangienla is currently pursuing her Bachelor of Arts in Political Science from Fazl Ali College, Mokokchung. Standing at 5 feet 5 inches tall, she emerged victorious among 13 contestants from across the district.

Temsulila Longkumer, 23, of Longjang village was adjudged the first runner-up, while 22-year-old Putusenla Aier of Süngratsü village secured the second runner-up title.

After a hiatus of three years, the Miss Mokokchung pageant returned with this edition organized by Forerunners Mokokchung under the aegis of the Mokokchung District Arts and Culture Council (MDACC) was held under the theme “Beyond Beauty.”

As the newly crowned Miss Mokokchung 2025, Bendangienla received a cash prize of Rs 50,000, sponsored by the District Hub for Empowerment of Women and the District Administration under the Beti Bachao, Beti Padhao (BBBP) initiative, along with gift hampers.

She will also serve as the face of the BBBP campaign and the brand ambassador of MDACC. Additionally, she will receive grooming support from Talent Foresight and has earned a direct entry to compete in Miss Nagaland 2025.

Temsulila Longkumer, who holds a Master’s degree in Clinical Psychology and aspires to become a child psychologist, was awarded Rs 30,000. Second runner-up Putusenla, a graduate and budding entrepreneur aiming to become a supermodel, received Rs 20,000.

In addition to the main titles, various subtitles were also awarded. Bendangienla won the Miss Beautiful Smile title. Other subtitle winners included:

• Best Ethnic Wear: Yangerkumla
• Miss Congeniality: Putusenla Aier
• Miss Talented: Sentikala
• Miss Beautiful Skin: Temsulila Longkumer
• Miss Perfect 10: Putusenla Aier
• Queen of Hearts: Temsulila Longkumer
• Beautiful Hair: Putibenla
• Best Ramp Walk: Alemlila
• Miss Photogenic: Imnasenla

The pageant was judged by the panel comprising Chanchui Khayi (Femina Miss India Manipur 2024), Akshatha Das (Femina Miss India Kerala 2024), Shyamanga Kashyap, Mele Pucho, Imlibenla Wati Nienu, and Asola Ozukum.

The night also featured performances by prominent artists such as Moko Koza, Tiameren Aier, and several others.



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World Wide Web exhibit opens at Gallery 101

Out of Africa from the Infinite Jouvay series. -

The World Wide Web exhibit by multi-media artist Rubadiri Victor opens at the 101 Art Gallery, Newtown, Port of Spain on July 17 from 5-9 pm. The exhibit, consisting of 77 paintings and objects spanning a number of Victor's series, will raise funds to go towards the artist's Season of Anansi Folklore Festival bills.

The exhibit will run until July 21 from 8 am-5 pm with special night events on Friday and Saturday.

West Indies Bowler Kaleidoscope -

The World Wide Web exhibition also officially launches the Anansi Goes to England initiative. After a successful third year, Victor’s Season of Anansi has been invited to bring its entire programme to Liverpool, England for Black History Month in October. The offer has been extended by the Merseyside International Centre of Carnival Arts + Black Innovation (MICCABI) through former son-of-the-soil- the award-winning artist Addae Gaskin, who is creating a series of cultural interventions in Liverpool.

“This represents an extraordinary opportunity for brand Trinidad and Tobago and our creative industries as the Anansi festival is expected to take place in Liverpool, Luton, Leeds, and London intersecting with multiple institutions like schools, universities, libraries, Museums, theatres, community centres, performing arts troupes, etc. Although MICCABI is paying some of the bills there are still significant expenses to be met as all aspects of the Anansi Folklore Festival are crossing the Atlantic: from the schools storytelling tour to the re-staging of the play Anansi and the 10 Dragons; from the bookstore reading tour to the multi-media exhibition The Black Infinite: the Global Rise of Afro-Futurism. The World Wide Web exhibition will also feature a retrospective on the just concluded Season of Anansi Festival 2025."

Guardian Angel of the Refugees -

World Wide Web is Rubadiri’s 11th one-man exhibition and his second in the historic Boscoe Holder Studio at Gallery 101. The exhibition includes work from five major series in Victor’s ongoing work. One is the Crucial Arch Angels series which features massive paintings of blue-skinned contemporary Caribbean arch angels with reparative portfolios. These include paintings like Our Guardian Angel of the Refugees and The Angel of Abundance Collects the Wealth to Redistribute it Equitably. There also are some paintings from the Adventures of the King of the Wizards series which visualises the legendary calypsonian the Mighty Shadow as a super-hero, Master Wizard in various adventures.

The Beginning of the Maroon Republic -

Another popular series is Victor’s portraits of West Indies cricketers called West Indies Cricket Warriors. One major series being shown for the first time completed is the Infinite Jouvay series, which features a series of canvases depicting the journey of "Jouvay" from Africa to Trinidad and then the world. The series envisages ancestral masquerades baptising a tribesman in West Africa in blue paint, then entering him to travel across the Middle Passage during the evil of the Trans-Atlantic slave trade so that his descendants would have a superpower within them to survive the horrors of the West.

“My work has always been for all audiences. I’m inviting the public to come out and see the work- especially young people at home on vacation from school. Art is for everyone,” Victor said.For more information contact Rubadiri Victor at (868)797-0949 or follow rubadirivictor on IG World Wide Web exhibit opens at Gallery 101 - Trinidad and Tobago Newsday
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She Found Her Dream Wedding Dress for $25 at a Thrift Store–and ‘It Fit Like a Glove’

Julia Webber and Michael Webber at their wedding – SWNS

After she couldn’t find a gown she liked in any bridal shop, a Florida woman bagged her dream wedding dress in a thrift store for just $25.

Julia Webber felt disheartened after trying on dresses at a boutique shop and not finding anything that was right.

“I wanted something simple and elegant… something form-fitting at the top.

So she couldn’t believe it when she found the perfect dress in a local thrift store.

Accompanied by her mom and sisters, the 26-year-old walked into her favorite second-hand store, the Hospice of Palm Beach County Foundation Resale Shop, and immediately spotted the dress.

“It was the first one we went to,” she said. “I zipped it up and it fit like a glove. I knew immediately it was the one.

“Life can be so serendipitous.”

“It was completely meant to be,” said the speech pathologist from West Palm Beach. “Everyone had the same reaction; their jaws were on the floor.”

Julia Webber trying on wedding dress at thrift store – SWNS

Last month she married her school sweetheart, who cried when he saw her walk down the aisle.

Julia has always been passionate about thrifting and grew up hunting through second-hand stores with her mother and two sisters, so looking for a wedding dress was a natural Plan B.

The dress was priced at $50 but that day it was ‘half-off day’ so Julia took it home for just $25.

“I loved the beading,” Julia said. “And it had a brand new tag on it.”

She couldn’t find the Casablanca dress new online but estimates it might have cost up to $3,000.
Julia Webber and Michael Webber at their December wedding – SWNS

The arm straps needed to be shortened, which cost $40, and she paid $75 to have it professionally cleaned.

“At the wedding I started telling people the cost and the live reaction of disbelief was amazing.”

Julia shared her thrifting discovery on social media and hopes it has inspired others to go hunting for second-hand pieces—and she plans to pass on the dress to a bride who can’t afford a new one. She Found Her Dream Wedding Dress for $25 at a Thrift Store–and ‘It Fit Like a Glove’
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Cookie wins Noah's Ark Pet Carnival Fashion Show

Cookie, the winner of Noah’s Ark Pet Carnival Fashion show with her owner Mimi Khuvung after completing the ramp walk. (DIPR Photo)

Dimapur, Cookie, a nine month old Shih-apso who dressed as a Chinese doll wins the Noah's Ark pet carnival fashion show which was held at Trinity Tower Indisen Village Dimapur, Nagaland on November 23.

A DIPR report stated that the winner walked away with cash prize sponsored by Dr Ekon, proprietor of Veterinary Health Care Center, free spa from Fur Mamas and several gift hampers from Kiko Nagaland, Kiko pet shop, mini pet cafe etc. The 2nd and 3rd place winners also received cash prize along with gift hampers while all the furry participants also received gift hampers.

Noah’s Ark Nagaland in collaboration with Milo’s presented the carnival event to support the first ever Animal shelter in Nagaland.

Live music, Noah's Ark Merch, delicious eats stalls were the other highlights of the day.

Anyu Phom, Kevileno Angami and Karipong were the judges for the pet carnival fashion show.Imlisen Pongen founder of Noah's ark was the compere of the programme. Several furry friends participated at the pet fashion show. Cookie wins Noah's Ark Pet Carnival Fashion Show | MorungExpress | morungexpress.com
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‘I walked with Nagaland behind me’

Ruopfuzhano Whiso on her Top 4 finish at Miss Universe India 2024
Nagaland couldn’t be prouder as its own beauty queen, Ruopfuzhano Whiso, made a remarkable mark in the prestigious Miss Universe India 2024, securing a spot in the Top 4. Held at the dazzling Zee Studios in Jaipur, the competition saw 50 contestants from across the country vying for the coveted crown. Whiso’s poise and eloquence stood out as she advanced through the rounds from Top 20 to Top 10, and finally to the Top 4. Reflecting on her journey, Whiso expressed, “I had an amazing experience getting to know all the 50 contestants. Learning and grooming myself into a confident woman gave me a new perspective on what I could be, and I will always cherish the lessons I learned and the memories I’ve made. Thank you everyone for your love, prayers, and support. It’s not my win—it’s everyone who came together who achieved it. I walked with Nagaland behind me on stage, and I felt the prayers keeping me steady and tall. I will always be grateful for your support.”
During the final Q&A segment, Whiso was asked to share her thoughts on the challenges women in India face today and the steps that can be taken to empower them. In a confident response, she highlighted ‘fear’ as a significant challenge, exacerbated by the increasing reports of assaults and rapes. “It is heartbreaking to see how many women have been silenced,” she remarked. She expressed her commitment to using her platform to encourage women to speak up, stand for justice, and be true to themselves, adding, “Then I believe we can truly bring justice for a safer and better world for the women of India.” Whiso’s vision of beauty goes beyond appearances. For her, true confidence means embracing who we are without needing validation. “Beauty isn’t skin deep but comes from the heart. True confidence is when one is kind, humble, and unapologetically oneself,” she stated. Raised with values of compassion and kindness, Whiso proudly represented her Naga heritage, known for its warm hospitality.
Her ‘Beauty with a Purpose’ initiative, Project Elders Enclave, in collaboration with Good Samaritans Seniors Citizens Home, supports the welfare of elderly citizens. She paid homage to her roots in the National Costume round, donning a dress inspired by Nagaland’s state flower, the rhododendron, adorned with traditional beads.A familiar face in Nagaland’s pageant circles, Whiso has previously represented the state in Femina Miss India Nagaland 2018, and was crowned Miss Kohima 2017 and first runner-up of Miss Nagaland 2017. Her journey to Miss Universe India 2024 began when she won the Miss Universe Nagaland India 2024 title in an open audition organized by the Beauty and Aesthetics Society of Nagaland (BASN). Her Top 4 finish marks a historic debut for Nagaland in the competition, and she is an inspiration for young women across the state and beyond. ‘I walked with Nagaland behind me’ | MorungExpress | morungexpress.com:
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Jillian Johnson competing in Miss Georgia Teen Pageant

Seminole County’s Jillian Johnson, Miss Flint River’s Teen, arrived in Columbus, Georgia Friday, June 7th. Upon arrival Jillian and other contestants competing in the Miss Georgia’s Teen Competition and Miss Georgia Competition were introduced at the Meet the Crowns event.

Pageant rehearsals began in full swing and Jillian has been rehearsing every day since her arrival, preparing for the competition which concludes on Saturday, June 15.

On Monday, June 10th at 8:30 a.m. Jillian went into her private interview with the panel of five esteemed judges. In this interview, Jillian got to share and explain her Community Service Initiative and show the judges why she should be the next Miss Georgia’s Teen. On Tuesday, Jillian continued rehearsals, On Wednesday night, Jillian competed in the talent phase of the competition, and Thursday night June 13, Jillian will compete in the evening wear and on-stage question phase.

This Friday, Jillian will showcase her overall health and fitness in the fitness wear phase. Saturday will be finals night when a new Miss Georgia and Miss Georgia Teen will be crowned.

Jillian could not thank her community, friends, and family enough for their support, love, and encouragement through this week.

During the State pageant well wishers can send mail to Jillian Johnson, Miss Flint River’s Teen, in care of Omega 1, 25 West Tenth Street, Columbus, Georgia 31901.

Flowers may be sent to her at Omega 1, 1011 Broadway, Second Floor, Columbus, Georgia 31901.

Jillian Johnson is the 16 year old daughter of Truette and Jill Johnson and is a Junior at Seminole County Middle High School where she is also active on the softball team and in the FFA. Johnson was crowned the 2024 Miss Flint River’s Teen on October 22 at the historic Theatre Albany in downtown Albany.Jillian Johnson competing in Miss Georgia Teen Pageant
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Paris Will Soon Host the World’s Largest Picnic on the Champs-Élysées

Le Grand Pique Nique, credit – Ubi Bene, released by Paris.fr

Are you in Paris in late May? Well make sure you stay around for Le Grand Pique Nique, or for those of you who chose German, Spanish, or Italian to learn in high school, “The Grand Picnic.”

From the Arc de Triomphe to the intersection of Avenue George V, nine ephemeral kitchens will punctuate a journey along the famous Champs-Élysées for a gastronomic picnic on the largest picnic blanket in the world.

On Sunday, May 26th, LG Electronics is sponsoring this massive eating and promenading event, when 4,000 lucky tourists and locals will have the opportunity to gather around a giant, traditional red and white checkered picnic rug to sample Parisian cuisine.

While it’s a shame that the event is a contest determined via a ballot system, the Champs-Élysées is perhaps the most thoroughly trodden thoroughfare in all Europe, where 100,000 pedestrians passed daily in pre-COVID times.

Today, with tourism more popular and in demand than ever, and with Paris still holding its spot as the most-visited destination on Earth in terms of visitors per square kilometer, prudence is warranted.

Each chosen visitor is given a picnic basket to enjoy samples from the nine kitchens, and each square on the giant checkered rug can accommodate 6 people.

There are also musical events, games, and other outdoor ambiance setters.

In order to attend, visitors can fill out the raffle ballot on the LG site here. They can select up to 6 additional attendees, and one of two services, 12:00 and 14:00.

As well as giving foodies domestic and international alike the time of their lives, the city is also aiming to set the Guinness World Record for the largest picnic blanket, which they claim their rug will count as.

Those attending may see in advance some of the renovations that architect Philippe Chiambaretta is planning for the €300 million, post-Olympics makeover for the Champs-Élysées, which the mayor’s office admitted to looking “worn out” back in 2021.

The plan is to halve the number of parking spots, turn some of the roads into pedestrian areas, and spruce up the whole area into “an extraordinary garden.” Source: https://www.goodnewsnetwork.org/paris-will-soon-host-the-worlds-largest-picnic-on-the-champs-elysees/
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International No Diet Day: A day of guilt-free indulgence

New Delhi, May 6 (IANSlife) The anticipation for a day of guilt-free indulgence has finally arrived. Wondering how to make the most of this food-lovers holiday? Look no further than the Godrej Food Trends Report 2024, your guide to an extraordinary culinary experience. With a blend of excitement, exploration, and mouth-watering delights, this year's International No Diet Day celebration promises to be a captivating journey into the heart of flavour and culinary innovation.

"International No Diet Day is an opportunity to take a break from dietary restrictions we might impose on ourselves by focusing on health and body positivity while also indulging in flavourful culinary exploration," says Rushina Munshaw Ghildiyal, Managing Director of Perfect Bite Consulting and Editor of the annual Godrej Foods Trends Report 2024. "Our Food Trends Report 2024 showcases how mindful indulgence can provide unforgettable moments for those looking to explore culinary delights. Artisanal chocolate, a bespoke cocktail, street food in Banaras or a gourmet burger, let this International No Diet Day be a celebration of culinary adventure."

The food report convened over 190 thought leaders from diverse culinary backgrounds, including celebrity chefs, bloggers, and nutritionists who shared their insights on the comprehensive trends cited in the report. This diverse set of industry experts curated a guide for you to savour this International No Diet Day.

Key ideas to celebrate International No Diet Day:

Mithai Trends: Dive into the world of mithai this International No Diet Day and experience the evolving flavours of India. With 67% of experts predicting a strong demand for special diet versions, including low-sugar and vegan options, there has never been a better time to indulge guilt-free in these delightful treats!

Indian Street Food Trends: Take your taste buds on a journey to Banaras this International No Diet Day and explore the vibrant flavours of its street food. Recommended by 80% of industry experts, this culinary adventure promises to blend tradition with innovation. From Shreeji’s Malaiyo to Vatika’s Apple Pie, there's something for every food enthusiast to savour and enjoy!

Snacks and Convenience Food Trends: Embrace a healthier snacking lifestyle this International No Diet Day by trying out non-fried alternatives. With 89% of experts recommending healthier choices, you can enjoy your favourite snacks guilt-free. Say goodbye to greasy chips and hello to baked or air-fried alternatives that are sure to satisfy your cravings!Dessert Trends: The world of desserts is brimming with innovative flavours and trends that cater to every craving. From classic favourites with a modern twist to unique international creations, there's something out there to satisfy your sweet tooth. Indulge in the subtle sweetness of sea salt caramel or explore the rich decadence of halwa-flavoured chocolates. 80.8% of experts predict that exotic international desserts will be most sought after by diners looking to add adventure to their meals.International No Diet Day: A day of guilt-free indulgence | MorungExpress | morungexpress.com
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Beauty queens get set for Miss World 2024

IANS Photos

New Delhi, February 24 (IANSlife) The reigning beauty queens shared some insights from their exceptional journey and experiences as they head towards Miss World 2024. Victoria DiSorbo representing USA in Miss World 2024 shared her experience and purpose of beauty, while Sini Shetty representing India spoke her heart out, and Clémence Botino shared her fashionable beliefs withIANSlife.

Could you walk us through your prep routine: diet, fitness, personality training?

Victoria DiSorbo: Ofcourse, my preparatory honestly has a lot of self- discovery making sure you are feeling good, working out but feeling great and there is no dieting and maintaining healthy habits.

What is beauty according to you and how do you drive purpose in beauty?

Victoria DiSorbo: What is beauty if you don’t have a purpose, I think and one of my favourite stories ever told me that as women as pageant crowns we come with this very heavy stories and it’s very hard thing talking about and it’s almost like taking medicines and trying to give it somebody but our beauty and what we bring to table kind of sprinkle some sugar on the medicine so it’s make it a little easier to bring down to swallow. So we are able to get this incredible stories, conviction and purpose projects because of our beauty and how much we care what we are talking about and love for our porjects.

The beauty queens you look up to?

Victoria DiSorbo: There are so many, I love Vanessa Lynn Williams, you know in the Miss World organization, the women who have been crowned Miss World are exceptional women because of their works, dedication and consistency. So, it’s a complete honour to represent my home country and my home at the Miss World pageant and be surrounded by these women.

Could you walk us through your prep routine: diet, fitness, personality training?

Sini Shetty: It’s being a journey because at the end of the day you are not representing yourself but you are representing an entire country, prep has been great we have been working on our communication skills, walking, talking, the way we present ourselves making sure that India values the tradition are represented at the best way because it’s not just representation at Miss World stage but Miss World has come to India. So, we need to give the best of India to the world. Preparations has been at its best when it comes to food and dietry, I feel excercising and understanding what your mental health as well as physical health is important, the balance between the both of it and having good soul food so you don’t deprive yourself of food but you need to understand that your body need to be happy to function and survive, so it’s been the prep and it’s been an amazing 2 years journey and finally I am here.

What you want your fellow contestants to explore during their India experience?

Sini Shetty: I think it will take them good 10 years to do that if they want to explore the whole of India but for the time being they are here, I would love them to taste some Indian delicacies and they have already done that a few. They had the share of biryani, panipuri and much more and they really liked it and they have visited a lot of places in Delhi as well and I cannot wait for them to come to Mumbai, Mumbai is my city and that place holds a special place in my heart.

Lastly, your message for all the young girls aspiring to win a beauty pageant?

Sini Shetty: Do not look down on yourself, I know ambition is sometimes associated negatively just remember if you had head straight up in the game and you have ambition that touches your heart and soul. Believe in yourself and the world will wait for the wonders you do.

Could you walk us through your prep routine: diet, fitness, personality training?

Clémence Botino: I did a lot of sports and I have coach usually this routine is 3 times a week but for Miss World this was for 4-5times a week and I don’t have a diet to be honest I drink a lot of water and you know I am not like eating food out of the main meal like breakfast, lunch and dinner and I don’t eat slightly in between, I love food so it’s impossible for me to be on diet and I like great food that’s why I like Indian food.

What's your idea of sustainable fashion?

Clémence Botino: We all have to learn that when you buy something like a piece of fashion something that you buy for you but for a lifetime. For example, everytime I buy something I imagine long time back my daughter could wear it and I am really wearing my mom’s clothes and I brought a lot of my mom’s clothes in India for the contest and I think we have to just value in everything as we are in the society where we see more of quantity than quality and sustainable fashion goes with quality so we have to make more aware of the material and fabric the people are working on and this is so important. I don’t buy fast fashion like stuffs anymore and I prefer to buy a beautiful piece that will go on to a legacy.

What you like about Indian fashion and if you are looking forward to work with any Indian designers?Clémence Botino: I love Indian fashion and you know that right now it’s really trendy in France. For example, in Paris Fashion week you have a lot of Indian designers, I really like Rahul Mishra and he has also received some diction for his work and if this is Indian fashion I just want to wear like beautiful fabrics in Saree because I do have a saree in my wardrobe. So hopefully, I will come for Indian Fashion week as I hope so.Beauty queens get set for Miss World 2024 | MorungExpress | morungexpress.com

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What went wrong at the Melbourne Art Fair?

It died not with a bang, but with a whimper. Last Friday, Melbourne Art Foundation executive chair and gallerist Anna Pappas announced the unthinkable: that after 28 years and 14 incarnations, the biennial Melbourne Art Fair, which was slated to be staged at the Melbourne Exhibition Buildings this August, would not be going ahead. This development came as a shock to many in the wider visual arts community who were left scratching their heads; at a time when every major city worth its salt has its very own art fair, how did Melbourne, which prides itself on the complexity and strength of its cultural fabric, manage to lose one of the premier events on its artistic calendar? But to those with an insider’s view of the Australian commercial art marketplace, the demise of the Melbourne Fair came as no surprise. According to Pappas, quoted in [The Guardian], the foundation’s full board of six members voted unanimously to cancel the fair after three major Australian commercial galleries elected to stay away from the event in 2016. As Pappas explained, the absence of Roslyn Oxley9 Gallery, Tolarno Galleries and Anna Schwartz Gallery meant that the fair: “would not be cutting edge … we have no interest in becoming an affordable, mediocre art fair.

In an interview with Henri Neuendorf of artnet, meanwhile, Anna Schwartz was quoted saying that she had never indicated she was intending to participate in the fair. Pappas, in the same article, highlighted the fact that many Australian galleries are exercising their discretion to allocate available funds to exhibiting at what she describes as "the big, international art fairs”. But according to the aforementioned gallerists’ websites, in recent years their presence at international fairs has been muted: Roslyn Oxley9 exhibited at Art Basel HK in 2013, 2014 and 2015 and Frieze NY in 2013; Tolarno had a stand at Art 13 in London in 2013, Art Basel HK in 2013, 2014 and 2015, and Paris Photo in 2014 and 2015; and Anna Schwartz Gallery was represented at Art Basel HK in 2011, 2014 and 2015, and at The Armory Show in New York in 2011. Art Basel HK 2015 hosted 231 exhibitors from 37 countries. Six of those galleries were Australian. Looking farther afield, however, Australian dealers rarely venture to the larger American and European fairs. What Pappas’ statement highlights is the economic truism that in a competitive marketplace choices are informed, in part at least, by what represents the best value for money. In this instance, actions speak louder than words. Anna Schwartz, Roslyn Oxley and Jan Minchin of Tolarno sent the fair a very clear message: by choosing to forgo it, they deemed it to represent poor value for money. Figures show that the international art fair landscape is congested; galleries are spoiled for choice. In 2015, The Art Newspaper’s calendar listed 269 fairs around the world. That makes it highly competitive for those who are attempting to attract exhibitors. Economic theory tells us there are two options available to a seller who is competing for oxygen in a teeming marketplace. One approach is to find a way of standing out from the crowd by differentiating a product from competitors. This is a good tactic when, as now, buyer ennui threatens to settle over a jaded marketplace. Recent figures reflect a contraction in the art fair sector that in many quarters is ascribed to what Georgina Adam has dubbed “fair-tigue”; Skate’s Art Market Research demonstrated a 7.4% decline in attendees at the top 20 art fairs in 2014. The other tactic is to compete on price. In this instance, an entity might choose to undercut competitors by charging less for a comparable product. Alternatively, the seller may resort to “value adding”. In the case of an art fair, exhibitors may be offered enticements such as larger stands and subsidiary benefits such as VIP guest tickets. 

This brings us to an important distinction. An art fair is not, and can never be, a biennale no matter what its aspirations. Art fairs exist to serve the commercial needs of those who use them to buy and sell art. The works of art on display at the fairs reflect this reality. They tend to the conservative, with a focus on two-dimensional works that are easy to hang on walls. For this reason, it is often the satellite events associated with art fairs that bring out the more challenging art forms. Rather than the fair itself, this is where visitors have the opportunity to savour the true flavour of a city’s visual arts scene. For practitioners, this represents the real benefit of the Melbourne Art Fair to the broader arts community. Still, just as a motor show or grand prix is important to a city’s motoring enthusiasts, an art fair plays a central role in a major city’s cultural life. It attracts interstate visitors and makes a statement about the city’s cultural aspirations. When you boil it down, other than the products on display, an art fair’s format and default layout - serried row after row of anonymous walled booths separated by narrow passageways – barely differ from other trade fairs such as the Melbourne Home Show, or Sexpo for that matter. When I questioned local art dealers about the reasons for the fair’s demise, the one consistent answer was that it had lost sight of its primary function, which was to act as a trade fair. Sage advice to the Melbourne Art Foundation board would have been to know what you do well, and pay someone else to do what you don’t. Event management in the 21st century is a highly specialised field. This is why it’s no surprise to find that the biggest and most successful international art fairs are managed by marketing leviathans. Of the 20 most attended art fairs in 2014, five were managed by MCH Group Global Live Marketing and three by Reed Exhibitions. So where did it all go so wrong for the Melbourne Fair? In this unapologetically commercial arena, the fair’s not-for-profit management model is an anomaly. Although Frieze London - one of the world’s biggest contemporary art fairs - does have a non-profit arm that runs a program of associated events, the fair itself is run as a commercial entity. One can only imagine the challenges the Melbourne Art Fair organisation has faced since August last year when the board of the foundation terminated its contract with Tim Etchells, director of Single Market Events. His management company was responsible for exhibitions including the Doctor Who Festival, London, and London Fashion Week. He also has an enviable reputation in art fair management; in 2013 he set up Art 13 in London, now in its fourth edition, and in 2008 he established Art HK, which he has since sold to art fair behemoth Art Basel. Under the SME banner, Etchells’ subsidiary company, Art Exhibitions Australia, signed a 20-year contract with the foundation to manage the Melbourne Fair. Etchells is also responsible for managing the Sydney Contemporary art fair (which is a commercial enterprise). The idea was that having the one management company responsible for both the Melbourne Fair and Sydney Contemporary would avoid conflicting interests and ensure the biennial events didn’t cannibalise each other. But the agreement was terminated last year. Etchells remained at the helm at Sydney Contemporary and oversaw its highly successful 2015 event. Let’s face it; the terms “not for profit” and “commercial art fair” are fundamentally incompatible. It has been almost 30 years since the Melbourne Art Fair was established by the Australian Commercial Galleries Association. Since then, there has been a seismic shift in the art market. Although the fair maintained a strong profile under the 11-year reign of former director Bronwyn Johnson, the transformation in the art market means that the old ways of doing business don’t work any more. Perhaps more than anything, the Melbourne Fair’s steadfast refusal to move with the times has been its Achilles’ heel. Galleries and buyers alike want a great deal more than was on offer. Value for money now means something entirely different. Art fairs must cater to the new breed of collector whose greatest issue is that they are time-poor; the supermarket-style smorgasbord of cultural offerings at an art fair means choices – and purchases – can be made quickly and spontaneously. But these buyers – and the gallerists who are struggling to find the most effective ways of capturing their interest – have high expectations of the art fair as a commercial forum. Art at this level of the market is a luxury good; it must be displayed and presented in a context that acknowledges this. Marketing is foremost, operations must be efficient and highly professional, and facilities - from the structural integrity of the walls of the booths to the selection of restaurateurs granted the concessions for catering - of the highest standard. Given the expectations that come with the monumental fees charged by art fairs, it seems the board of the Melbourne Art Foundation made some ultimately costly decisions, such as the failure to appoint a director to oversee curatorial decisions. For their part, dealers spoke with their feet. Those who chose not to exhibit at the fair passed judgement on the decisions made by the board. With funds already budgeted to the fair and Melbourne Art Week by government agencies including Creative Victoria and the Australia Council, the framework is in place to stage an exciting new event in 2016 for Melbourne’s art scene. It will be interesting to see what germinates in the city’s creative community over the next few months. An email to dealers circulated in recent days proposed a meeting between interested parties to find a way forward. Once the smoke clears, perhaps what will emerge from the ruins will challenge some of the sacred cows that have stunted the Melbourne Fair’s evolution in recent years. Meaghan Wilson-Anastasios, Lecturer , The University of Melbourne This article is republished from The Conversation under a Creative Commons license. Read the original article.
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Siberia gets a purrfect cafe!

'Kis-kis-kis'! Stunning Siberian Amur Ezra cat poses in the snow. Picture: kot-de-azur.livejournal.com
The cat cafe is opening in Krasnoyarsk, Siberia's energy capital, promising a new 'cat-o-relax experience'. At number 40 Dictatorship of the Proletariat Street, Kis Kis Cafe ('Kis Kis' is what Russians say to attract the cat's attention) charges a flat rate entrance fee of 150 roubles, or $4.70 and guests have unlimited access to tea, snacks, table games, books, movies, wifi - and cats. Children and students pay 100 roubles - around $3.15 - per hour. 'We promise a true cat-o-relax, otherwise known as feline therapy', say the cafe owners. 'Cats are provided by our partner company called 'Khvostiki' (Tails). All of them are with perfect character, as only the most charming and non-aggressive are selected for 'work' in the cafe. They are vaccinated and sterilised'. The cats can also be bought and taken home as pets, it is understood. Cat cafes were pioneered in South Korea and have become popular in Japan. Recently, the first cat cafe opened in Paris.Siberia gets a purrfect cafe!
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Talent Search 2016 ends, Don Bosco lifts champions’ title

ITANAGAR:  While stressing the need to include co-curricular and extracurricular activities in school education, Home Minister Kumar Waii called upon the heads of all educational institutions to give primary importance to acquisition of knowledge and moral values in education.

The Minister however lamented that most students are after degrees and not knowledge, which is a negative trend in today’s education system.

Speaking as chief guest at the valedictory function of the three days literary, cultural and sporting extravaganza ‘Talent Search 2016’ of private-run schools, organized by All Arunachal Private Schools’ Association in collaboration with Sahodaya, Itanagar, on Saturday evening, he appreciated the efforts of AAPSA and Sahodaya for taking up such a noble event and exhorted the students to reciprocate such initiatives through self-discipline and hard work.

The organizers said, former Chief Minister Gegong Apang, while addressing the participants on the first day of the event (dance competition) spoke of the need to have good leaders and added, “A State cannot progress in the absence of good and visionary leaders and the need of the hour is good leaders”. He appreciated the efforts of the principal and all at Donyi Polo Vidya Bhawan for hosting the ‘Talent Search’ consecutively for the second time.

At the valedictory session, AAPSA treasurer S K Gupta, who is also the principal of Bunny’s Fantasy School, underscored the fact that participation in Talent Search is increasing year by year and the participants are better prepared. Levi E Katy, principal of the host school, proposed the vote of thanks.

The three-day-long Talent Search competition came to a close with the distribution of prizes, medals and certificates to the winners. In group-I, St Francis Di Assisi, Damsite emerged as winners and B K Mission, Midpu got the runner-up trophy. In group-II, Don Bosco School, Itanagar and Good Shepherd Public School claimed the winners and runner-up trophies respectively, while in group-III, Don Bosco School, Itanagar and DPVB emerged first and second respectively.

The highly charged moment of the valedictory function was the declaration of the champions of Talent Search 2016 in which Don Bosco School, Itanagar, with its history of being the champions whenever they participated in it, retained the title and Good Shephered Public School claimed the runner-up trophy.

The ceremonial closing of Talent Search 2016 took place in an atmosphere of quiet solemnity in which the AAPSA flag was lowered and handed over to the president AAPSA for safe-keeping till Talent Search 2017.Source: http://echoofarunachal.in/
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Pink Revolution in North East Cherry Blossom Festival 20161110

India’s First Cherry Blossom Festival begins this Children’s Day, on 14th November 2016 and will continue till 17th November 2016, at Shillong, Meghalaya. This is also the World’s First Autumn Cherry Blossom Festival and will provide outstanding opportunities not only to show the unique beauty of pink and white cherry blossoms but also showcase Meghalaya’s traditional arts, culture and cuisine. 

This is being organised by the Government of Meghalaya, in association with, Institute of Bioresources and Sustainable Development (IBSD), a National Institute of Department of Biotechnology, Govt of India. This festival will not only bring socio-economic development of the region but will also promote Peace, Prosperity and Sustainable Development, which is one of the United Nations (UN) Sustainable Development Goals, said Prof Dinabandhu Sahoo, Director of IBSD. He further said that the festival would set the stage for the Year 2017, which has been declared as the International Year of Sustainable Tourism for Development, by the UN. 

In general, Cherry Blossom Festivals, also popularly known as Sakura Festivals in Japan are held in the month of April, every year. A few other countries like USA, Korea, China and Australia, also organise such festivals, which creates positive impacts on the local economy, and it is estimated that the Washington DC Cherry Blossom Festival alone generates about US$126 Million Dollars every year by drawing in huge numbers of tourists. 

The opening ceremony of India’s First Cherry Blossom Festival will be inaugurated by Dr Mukul M Sangma, Hon’ble Chief Minister of Meghalaya on November 14, 2016 at Polo 2nd Ground, Shillong. 

All through the festival, there will be several events showing the unique culture of Meghalaya blending with the Cherry Blossoms. Presently, the city of Shillong and adjoining areas are slowly turning pink, as the blossoming has started and Shillong will be in full bloom during the festival. 

Now, tourists need not go to Japan or USA to experience the Cherry Blossom Festival by spending thousands of Dollars or Yen. One can enjoy the similar activities in India right now. Cherry Blossoms can bring a ‘pink revolution’ in India, said Prof Sahoo. 

A full calendar of events, coverage of the blossoms, the online photo competition and live feed of the signature events is available on the :-
Festival website –www.cherryblossomfestival.in 
Facebook (CherryBlossomFestivalofIndia)
Instagram@CherryBlossomShillong #cherryblossomshillong 

For further information/ clarifications , please contact
Prof Dinabandhu Sahoo, Director IBSD

(Email- dbsahoo(AT)hotmail(DOT)com) Source: http://e-pao.net/
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Tiffany Tang's new drama to meet audience

The TV still shows actress Tiffany Tang in the Drama series, Princess Weiyang, which will debut on Nov 11, 2016.[Photo provided to CRI]

A new ancient Chinese costume drama, starring popular actress Tiffany Tang, is ready to hit small screens on Beijing Satellite TV starting on Friday.

Entitled 'The Princess Weiyang,' the TV drama aims to take audiences back 1500 years, by portraying the struggles and conflicts within the imperial family during the Northern Wei Dynasty.

The 33-year-old actress elaborates on her experience of playing the titular role in the series.

"She has an insightful mind. She cares about the long-term interest and knows how to set her ambitious goals step by step. Later several incidents happened but all under her control. I wear a total of 90 ancient costumes, which is unprecedented in all of my acting experiences in the TV drama series."

The story develops as the kind-hearted princess accidentally enters her enemy's territory, and centers on how she eventually utilizes her wisdom to become a powerful woman after suffering many hardships.

Actor Luo Jin, Vaness Wu, and Golden Bell award-winning Hong Kong actress Leanne Liu also star in this TV drama.

The 54-episode drama is inspired by the hit online novel with the same name. Source: China.org.cn
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Cultural events mark 2nd day of Buddha Mahotsava

Sanjay MOSING: BOMDILA, Nov 5: The Day 2 of the ongoing three-day Buddha Mahotsava at picturesque Bomdila town was marked by performances of cultural troupes presenting dances and songs showcasing the rich and varied traditional cultural heritage of the six tribes of West Kameng district.

Besides the troupes from Bogun, Shertukpen, Sartang, Aka, Miji and Monpa tribes, cultural troupes from various places of Arunachal like Wancho, Galo, Adi, Apatani performed in the evening, enthralling the audience with their varied numbers of dances and songs.

However, the main attraction of the evening was the beautiful dance performed by a cultural troupe from Bhutan.

Fashion show to create awareness on wildlife and nature by Wildlife Warden Kesang Lhamu Khrimey and designer Neetu Tering Rabasow and performances by Anu Mara, ‘Voice of Arunachal’ winner were other attractions of the evening.

Earlier in the morning, a marathon race was organized as a part of the celebration wherein the West Kameng DC also participated. A face painting competition was also organized on the occasion besides adventure and traditional sports.

Last night (inaugural day), the dance troupes from Yeshi Sambuddha Tibetan School, Tenzingaon, Shertukpen of Shergaon, Aka of Thrizino, Lhayi Lugar Performing Arts, Bhutan, Snow Lion, Tawaang, Nyishi and Apatani presented their wonderful dances and songs to enthrall the audience who thronged the venue in thousands.

However, the ethnic dress show of six tribes of the district captivated the spectators. The dresses were designed by designer Rinchin Lhamu Kharma. Source: http://echoofarunachal.in/
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Shakespeare's historical play to stage in China

A stage scene captured from the Henry V play. [Photo: wzaobao.com] 
It has been announced that the Royal Shakespeare Company is planning to bring Henry V to Beijing, Shanghai and Hong Kong in February next year. It'll be the first time the RSC has brought the history play to China and has already played to rave reviews in London. As one of the most famous and influential Shakespearean history plays, Henry V tells the story of the Battle of Agincourt during the Hundred Years' War. The introduction to Chinese theatres is part of the troupe's "King & Country" tour to China, which will also see such acclaimed productions of Shakespeare's as Henry IV Part I and Part II. Furthermore, a Chinese version of Henry V is to be staged in Shanghai in October next year. It's being directed by the associate director of the English version Owen Horsley. The Royal Shakespeare Company is also working with its Chinese partners on two other projects, namely "The Shakespeare Folio Project" and "The Chinese Classics Project," the latter aiming to translate Chinese classics into English. Follow China.org.cn on Twitter and Facebook to join the conversation. Source: China.org.cn
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Yes, there’s an International Men’s Day

International Men's Day IMD Logo While many may question its existence, the objectives behind celebrating the annual event are very serious indeed
Nishadh Mohammed, International Men’s day, a day to celebrate manhood, is observed on November 19 worldwide. The avowed objectives include focusing on men’s health, improving gender relations, promoting gender equality, and highlighting male role models. Apparently, it is also an occasion to highlight discrimination against men and boys and to celebrate their achievements and contributions, in particular for their contributions to community, family, marriage, and childcare. However, in the run up to the 16th International Men’s Day globally and eighth in India, it is baffling that many are not even aware of November 19th being IMD, even in the digital era. Lesser known than its female equivalent, International Men’s Day is celebrated in more than 70 countries across the world and apparently has a history dating to 1999 in Trinidad and Tobago where it was first celebrated. However, unlike certain other countries where the mainstream media and government bodies promote the need to address men’s issues and organise events to debate and discuss manhood, the scene isn’t the same in India. Rahul Kumar, a Kochi-based software engineer says, “I didn’t know that there was an International Men’s Day till recently. But I think that it is a great idea. Because, either intentionally or otherwise, we as a society tend to underplay issues faced by men. We have preconceived notions and unwritten rules that make it more difficult for men to talk about depression or violence against them. A day to address such issues could indeed make a major difference.” The common refrain by critics is, ‘Every day is a man’s day, why do you need a special day for men’. But many think this approach only helps push men’s issues under the carpet. Krishnaprasad, who is a member of a group that celebrates International Men’s Day through discussions and activities, says, “We address issues that affect men and boys all over the world such as men’s shorter life expectancy, the high male suicide rate, our collective tolerance of violence against men and boys, and the struggles that boys face in getting good education and the unique challenges of father-child relationships.” While opinions remain divided about the need for a day to celebrate manhood, a large section of the feminists, says the core of feminism in its true sense is equality and hence it’s only fair to have an IMD. Radhika Vashisht, a motivation tutor and self-confessed feminist, says, “As a feminist and advocate of the idea that men and women should be treated equally, why shouldn’t men have their own day? There are really important issues when it comes to men’s rights. Celebrating IMD could be instrumental towards making men and women more equal in all spheres of our daily lives. This doesn’t belittle the deep injustice many women are subjected to or the ‘casual’ day-to-day sexism that defeats them at every hurdle. If anything, debating the discrimination against men simply underlines how much worse it is for women.”Source: The Asian Age, Image: flickr.com
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